We celebrate one of Horace Silver’s finest albums in honour of his passing. 50 years old it may be, but it sounds as fresh as the day it was recorded. 

“Dad played the violin, guitar and mandolin, strictly by ear. He loved the folk music of Cape Verde…Occasionally, they would give a dance party in our kitchen on a Saturday night. They pushed the kitchen table into the corner of the room to make way for dancing, and Dad and his friends provided the music, playing and singing all the old Cape Verdean songs.”  – Horace Silver

From the album’s oh-so-funky title track, you get a sense of how much everyone enjoyed those party nights at the Silver home in Connecticut. Thousands of miles away from the tiny group of Portuguese islands off the coast of West Africa, they came together to celebrate the music of their homeland. Yet there is more to this track than jazz fused with Portuguese rhythms: Silver had been to Brazil in early 1964 and you can just catch the spirit of the bossa nova beat. It’s also there in ‘Que Pasa?’, which seems to echo the opener.

Many years later Silver said, ‘I’ve always tried to write the kind of music that would stand the test of time. Always, in the back of my mind, I would be thinking, “Will this stand up 20, 30 years from now?” I’ve tried to write songs that would be easy to listen to, and easy to play. It’s a difficult task. It’s easy to write something simple but dumb, or something that has depth but is too complex. But simplicity with depth, that’s the hardest thing for me to do.’

Silver’s intention is carried through the album from the hard bop of ‘The Natives are Restless Tonight’ to ‘The Kicker’, a rollicking Joe Henderson tune. The only track on the album not written by Silver, it features a furious drum solo from Roger Humphries who was just 20 at the time of its recording. The closing track, ‘Lonely Woman’ is perfectly titled; Silver delicately conveys the concept with a beautiful melody while holding back on the notes to maximum effect. 

Interestingly the album was recorded at Rudy Van Gelder’s Studio in Englewood Cliffs, New Jersey, at two separate sessions almost a year to the day apart. On 31 October 1963  Silver cut, ‘Calcutta Cutie’ and ‘Lonely Woman’, recording the remainder on 26 October 1964.  You can hear it hear. It’s also available on 180gm vinyl here


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jacobaudrey June 24th at 8:19pm

Reblogged this on Musics and Souls.

giai01 June 25th at 12:44am

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