“Then the jazz people starting eating on me. They had a feast on me for 10 years: ‘He’s sold out.’ Everything that’s bad was attributed to Donald Byrd. I weathered it, and then it became commonplace. Then they found a name for it. They started calling it ‘jazz fusion,’ ‘jazz rock.’ ”
Donald Byrd, 1982

A jazz album on the charts? Whatever next? This was a very big seller for Blue Note, making No. 88 on the Billboard charts, but the furore that accompanied its release, when many accused Byrd of selling out, lasted for years. This fabulous, funky album just cries out to be heard and if you haven’t heard it, then rectify the situation as soon as you can. Think Isaac Hayes’s soundtrack to Shaft with stronger jazz overtones and you have Black Byrd. And to add insult to the injured there is even a synthesizer; Blue Note had embraced a brave new world.

Black Byrd is every bit as groundbreaking as a Jazz Messengers date from the mid-1950s or a Herbie Hancock session in the early 1960s, which poses a problem for some jazz aficionados who think their music should not move on – a mindset not exclusive to jazz fans. Byrd almost takes a back seat in the overall sound of this record, although when he does come to the fore, his solos are beautifully played, as you would expect from a talented and experienced trumpeter recording since the mid-1950s. Joe Sample from the Crusaders is essential to the vibe of the record as is Roger Glenn’s flute, which locks this record into its time frame. Jazz with vocals was another point against it for some purists, but on the title track in particular they are perfect, especially when added to David T. Walker’s funky blues guitar; he was fresh from recording Let’s Get It On with Marvin Gaye.

It was recorded in Los Angeles in April 1972 and completed in November of the same year. Aside from those already mentioned there is Dean Parks on guitar, Fonce Mizell on trumpet, Wilton Felder and Chuck Rainey play bass, drummer, Harvey Mason, Bobby Hall Porter and Stephanie Spruill on percussion and Larry Mizell on vocals and as arranger.

It’s available in the Back To Blue series here

Read More

Comments (1)

africanherbsman1967 July 20th at 8:42pm

"Love's So Far Away"-love the percussions and flute work.

Leave a Reply

Your email address will not be published. Required fields are marked *